← Colour Lab
Tan
#D2B48C · click to copy
Earth
HEX
#D2B48C
RGB
210, 180, 140
CMYK
0%, 14%, 33%, 18%
Pigment
PY43, PBr7
Lightfastness
Excellent (I)
Moods & Keywords
natural
leather
medium
warm
brown
Pigment & Material
PY43, PBr7
Natural
Equal parts yellow ochre and raw sienna with white. One of the most common mixed browns in oil painting.
Origin & History
The word "tan" comes from the Old French "tanner" — to tan (leather). The colour takes its name from the leather industry, which has used oak tannins for over 2,000 years. As a skin tone description, "tan" entered common usage in the 20th century to describe skin bronzed by sun exposure — a relatively modern association, as pale skin was traditionally considered more desirable in Western cultures.
Also Known As
Tan
Light Brown
Khaki
Fawn
Sandy Brown
Psychology
Neutral, warm, and undemanding. Tan is the most universal of skin-adjacent neutrals — warm enough to be welcoming, pale enough to be non-threatening. As a background colour, it makes other colours appear richer. Associated with natural materials, sun-warmed skin, and the practical comfort of things that hide dirt well.
In Culture
The social history of tanning as desirable (sun-bronzed skin) versus undesirable (field-worker's tan) has shifted dramatically over the 20th century. Coco Chanel's 1923 Riviera tan began a Western fashion for bronzed skin that reversed centuries of pale-skin preference. The Crayola crayon formerly called "Flesh" became "Peach," but "Tan" survived as a legitimate skin-tone crayon — one of many attempts to represent human diversity in basic art materials.
Natural Sources
The colour of tanned leather — produced by the oak bark tanning process. Tannins from oak bark (and other plants) react with the collagen in animal hide to produce a characteristic warm brown. The colour varies from pale fawn to deep brown depending on the degree of tanning.
Making It Yourself
Mix yellow ochre (PY43) with a small amount of raw umber (PBr7) and titanium white.
Approximate ratio: 50% yellow ochre, 30% white, 20% raw umber.
For darker tan: increase raw umber.
For lighter fawn: increase white.
Natural: oak bark extract (tannic acid solution) applied to paper produces natural tan tones.
Approximate ratio: 50% yellow ochre, 30% white, 20% raw umber.
For darker tan: increase raw umber.
For lighter fawn: increase white.
Natural: oak bark extract (tannic acid solution) applied to paper produces natural tan tones.
Art Movements
Portraiture (skin tones)
Realism
Military Art
Famous Works
Portrait paintings broadly
tan as a skin tone
Military uniform paintings
19th century
Western landscape painting
desert and grassland tones
Available As
Farrow & Ball — Dead Salmon No.28
Benjamin Moore — Tan AF-100
Dulux — Tan
Farrow & Ball — Jitney No.293
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Colour data compiled with AI. Spot an error or have more to add? Leave a Note — ekphra reviews and updates.
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